Ray tracing in a turbulent, shallow-water channel

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A ray tracing model can be used to simulate sound (10–100 kHz) transmitted through shallow water. The phase of the ray arrivals, primarily given by travel time, may be mutually independent in such a multipath transmission. Consequently, the transmission loss in a receiving point is randomly valued due to the coherent interference of the multipath arrivals. This problem can be overcome by incoherent summation of the multipath arrivals. However, knowing that nature behaves coherently, this method is not preferred. Instead, the channel can be regarded as dynamic by allowing microfluctuations of the sound speed. Specifically, the channel may be modeled as given by horizontal layers, each assigned with an individual turbulent dissipation rate, and a translation of this is performed into diffraction and phase fluctuation parameters, following DiIorio and Farmer [J. Acoust. Soc. Am. 96, 1056–1069 (1994) and Flatté et al., Sound transmission through a fluctuating ocean (1979)]. Amplitude and phase fluctuations of every ray are realized as samples of a random process. The results for the dynamic channel show a smoother and easier interpretable transmission loss behavior than for the static channel. Furthermore, it is observed that amplitude fluctuations generally exhibit Ricean fading. [Work sponsored by the Danish Technical Research Council.]
Original languageEnglish
JournalAcoustical Society of America. Journal
Volume103
Issue number5
Pages (from-to)2751-2751
ISSN0001-4966
DOIs
Publication statusPublished - 1998
Event16th International Congress on Acoustics and 135th Meeting of the Acoustical Society of America - Seattle, WA, United States
Duration: 20 Jun 199826 Jun 1998
Conference number: 16/135

Conference

Conference16th International Congress on Acoustics and 135th Meeting of the Acoustical Society of America
Number16/135
CountryUnited States
CitySeattle, WA
Period20/06/199826/06/1998

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Copyright (1998) Acoustical Society of America. This article may be downloaded for personal use only. Any other use requires prior permission of the author and the Acoustical Society of America.

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