Tomb towers and minarets: analysis of symmetries and geometries of Iranian geometrical ornaments of the Seljuq era. Pictorial requiem for the Kharraqan towers

Emil Makovicky*

*Corresponding author for this work

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Abstract

Ornamental adornment of the Kharraqan tomb towers, the most outstanding funeral monuments of the Seljuk era in NW Iran, and those of four best-preserved Seljuq brick minarets in northern Iran, documents the artistic canon of the pre-glaze stage of Iranian Islamic architecture. Despite some later interruptions, these monuments and their plain-brick ornaments, as well as the ‘virtually interlaced’ brick ornaments, stand at the beginnings of a rich development that led to the Safavid architecture of Iran. Besides documentation and study of the geometric character of early Islamic art, which was based on limited technical resources, this study offers insight into symmetry concepts developed at this stage of art and architecture development. This is the last and most complete study of the Kharraqan towers performed before their overwhelming destruction in the 2002 earthquake.
Original languageEnglish
JournalRendiconti Lincei. Scienze Fisiche e Naturali
Volume34
Pages (from-to)703–720
Number of pages18
ISSN2037-4631
DOIs
Publication statusPublished - 2023

Keywords

  • Islamic brickwork
  • Tomb tower
  • Minaret
  • Seljuk art
  • Brick patterns
  • Crystallographic symmetry
  • Kharraqan towers

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