Identification of rhythm and so-und in polyphonic piano recordings

Ana María Barbancho Pérez; Antonio Jurado-Navas; Isabel Barbancho Pérez

Identification of rhythm and so-und in polyphonic piano recordings

Ana María Barbancho Pérez, Antonio Jurado-Navas, Isabel Barbancho Pérez

University of Málaga

Research output: Chapter in Book/Report/Conference proceeding › Article in proceedings › Research › peer-review

Abstract

A system that is capable of identifying all the elements in a polyphonic piano recording which are necessary to write out the score, using a record of the musical piece, is presented in this contribution. A piano piece is processed and analysed using wavelet filters and the discrete Fourier transform, the correlation properties among the different harmonics of the sounds are also used to identify its rhythm and sound. By this means, the system designed identifies the different notes that were played, their attack instant, span and intensity. An analysis if these results allows to estimate the key signature, tonality, tempo and time signature of the piece

Original language	English
Title of host publication	Proceedings of Forum Acusticum Sevilla 2002
Number of pages	6
Publisher	European Acoustics Association
Publication date	2002
ISBN (Print)	84-87985-07-6
Publication status	Published - 2002
Externally published	Yes
Event	3rd European Congress on Acoustics - Sevilla, Spain Duration: 16 Sept 2002 → 20 Sept 2002 Conference number: 3

Conference

Conference	3rd European Congress on Acoustics
Number	3
Country/Territory	Spain
City	Sevilla
Period	16/09/2002 → 20/09/2002

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title = "Identification of rhythm and so-und in polyphonic piano recordings",

abstract = "A system that is capable of identifying all the elements in a polyphonic piano recording which are necessary to write out the score, using a record of the musical piece, is presented in this contribution. A piano piece is processed and analysed using wavelet filters and the discrete Fourier transform, the correlation properties among the different harmonics of the sounds are also used to identify its rhythm and sound. By this means, the system designed identifies the different notes that were played, their attack instant, span and intensity. An analysis if these results allows to estimate the key signature, tonality, tempo and time signature of the piece",

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AU - María Barbancho Pérez, Ana

AU - Jurado-Navas, Antonio

AU - Barbancho Pérez, Isabel

N1 - Conference code: 3

PY - 2002

Y1 - 2002

N2 - A system that is capable of identifying all the elements in a polyphonic piano recording which are necessary to write out the score, using a record of the musical piece, is presented in this contribution. A piano piece is processed and analysed using wavelet filters and the discrete Fourier transform, the correlation properties among the different harmonics of the sounds are also used to identify its rhythm and sound. By this means, the system designed identifies the different notes that were played, their attack instant, span and intensity. An analysis if these results allows to estimate the key signature, tonality, tempo and time signature of the piece

AB - A system that is capable of identifying all the elements in a polyphonic piano recording which are necessary to write out the score, using a record of the musical piece, is presented in this contribution. A piano piece is processed and analysed using wavelet filters and the discrete Fourier transform, the correlation properties among the different harmonics of the sounds are also used to identify its rhythm and sound. By this means, the system designed identifies the different notes that were played, their attack instant, span and intensity. An analysis if these results allows to estimate the key signature, tonality, tempo and time signature of the piece

M3 - Article in proceedings

SN - 84-87985-07-6

BT - Proceedings of Forum Acusticum Sevilla 2002

PB - European Acoustics Association

T2 - 3rd European Congress on Acoustics

Y2 - 16 September 2002 through 20 September 2002

ER -

Identification of rhythm and so-und in polyphonic piano recordings

Abstract

Conference

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